On page 452, Butler says:

"In her provocative review of Paris is Burning, bell hooks criticized some productions of gay male drag as misogynist, and here she allied herself in part with feminists theorists such as Marilyn Frye and Janice Raymond.  This tradition within feminist thought has argued that drag is offensive to women and that it is an imitation based in ridicule and degradation.  Raymond, in particular, places drag on a continuum with cross-dressing and transexualism, ignoring the important differences between them, maintaining that in each practice women are the object of hatred and appropriation, and that there is nothing in the identification that is respectful or elevating. As a rejoinder, one might consider that identification is always an ambivalent process.  Identifying with a gender under contemporary regimes of power involves identifying with a set of norms that are and are not reliable, and whose power and status precede the identifications by which they are insistently approximated.  This 'being a man' and this 'being a woman' are internally unstable affairs."